3I/ATLAS & Cosmology / Halloween Origins

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Hosted byGeorge Noory

In the first half, UCSD Physics Professor Brian Keating explored the fascinating developments surrounding the mysterious interstellar object known as 3I/ATLAS, and the potential implications for extraterrestrial technology. He outlined the object's unusual path, which some interpret as "maneuvering," indicating potential intelligent control. Harvard professor Avi Loeb has drawn attention to its trajectory as potentially anomalous, positing that it's aligned with the plane of the planets and potentially "optimized" to pass near Venus, Mars, and Jupiter. While Keating is intrigued by Loeb's ideas, he remains cautious about the ET hypothesis, suggesting that this is a rather unlikely possibility.

The object's closest approach to the sun on October 29 is anticipated to be a critical moment for scientific observation, and curiosity over whether it might release strange probes at this juncture. But, "if it were to break apart into chunks of ice and gas and dust," like a comet, "then I think the theory that it's extraterrestrial technology would be devastated and blown apart," Keating said. He also touched on the enigmatic 1977 "WOW!" signal, a 72-second radio burst from space, that Loeb pointed out originated from the same part of the sky as 3I/ATLAS. "The jury's out" on any definitive link, but Keating acknowledged the excitement such coincidences generate.

He reported on recent advances in detection technology, such as the Vera Rubin Observatory, which has revolutionized asteroid discovery by identifying thousands of new objects in mere hours. He also referenced puzzling findings of non-natural light reflections in Earth orbit predating Sputnik, suggesting possible relic extraterrestrial technology. On dark energy, Keating explained its role in cosmic acceleration, referencing Einstein's cosmological constant. However, findings indicate this rate of acceleration might be decreasing, implying our understanding of dark energy may need modification.

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In the latter half, Miss Aida, a hoodoo practitioner, teacher, and author, delved into the origins and significance of Halloween from metaphysical and cultural perspectives. She traced Halloween's origins back 2,000 years to the Celtic festival of Samhain, describing it as "a time when the veil between our world and the spiritual world is broken," allowing spirits, both positive and negative, to roam freely. The Druids celebrated Samhain as both a spiritual and political event, she continued, noting that "if they did not attend this ceremony...they would be cursed, and they would go mad and then eventually die." The festival involved sacred foods and symbolic objects such as cauldrons, "which had magical qualities… and were another means to connect our world to the spiritual world."

Miss Aida also addressed modern Halloween customs, connecting them to ancient practices: "People would wear masks and costumes...to scare off evil entities," and "jack-o'-lanterns come from carving faces in gourds to chase away evil spirits." She traced the term "Halloween" to a Catholic compromise, All Hallows Eve, blending pagan and Christian traditions. Regarding the origins of trick-or-treating, she said it stemmed from an ancient ritual to provide offerings for the dead, like food or toys, with prosperity promised for those who gave and hardship for those who did not.

Exploring the symbolism behind Halloween staples such as black cats, broomsticks, and owls, Miss Aida connected them to witchcraft and metaphysical traditions. She also detailed the significance of love divination rituals involving apples, such as bobbing for apples and peeling apple skins to predict marriage prospects. Addressing misconceptions, she clarified that conjure, hoodoo, and root work are all interchangeable terms that refer to African diaspora spiritual practices, often wrongly labeled as devil worship. She recounted a personal anecdote where a Santeria ritual was mistaken for satanic activity by authorities in the Detroit area.

News segment guests: Mish Shedlock, Mark Shaw

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